Potters are creating striking, one-of-a-kind pieces with Raku firing, experimenting with smoke, flame, and unexpected glaze effects. I, too, am fascinated by the spontaneous result and the process that removes pieces from the kiln while still glowing hot.

This curiously shaped vase, designed with slip and horse hairs, is the result of a series of small unplanned happenings. That said, I’m actually quite pleased with it.

Raku began in 16th-century Japan as tea ceramics made only by the Raku family for use in the tea ceremony. That tradition continues in Japan; here in America, artists have adapted it into something quite different and play around with it. The spirit of enjoyment reflects the meaning of the character Raku (楽) in a way.